Showing posts with label knight watchman. Show all posts
Showing posts with label knight watchman. Show all posts

Saturday, November 26, 2022

COMIC BOOK REVIEW: THE LAST WHIZ KIDS STORY, PART 2 (BIG BANG ADVENTURES #17)

 

 

THE LAST WHIZ KIDS STORY: PART 2 (BIG BANG ADVENTURES #17)

Writer: Pedro Angosto

Artists: Jorge Santamaría (penciller)/Juan Moreno (inker)/Ulises Kuroshima (colors)/Adam Pruett (letters)

Publisher: Big Bang Comics

 

Order print or digital directly from Indyplanet 

 
The final fate of Robo-Hood! A crushing betrayal and secret reveal—at the same time! A life-changing discovery and an unbearable loss!  Gender-switching! Wide-screen action! 

This comic has it all, my friends.
 
 
 
 
 
My thoughts on this comic have been brewing for 3 or 4 months and I finally have time to write them down.  But let’s get this out there before I say anything else, THE LAST WHIZ KIDS STORY Part 2 picks up after the events of Part 1 but surpasses the quality level, and Part 1 was already exceptional.  At this point in time, Big Bang Comics is matching and exceeding the quality of super-hero comics by the Big 2 when Pedro Angosto is writing and artists like Jorge Santamaria are drawing.  
 
THE LAST WHIZ KIDS STORY, with it’s thick 27 pages of story, is a loveletter to Wolfman and Pérez’s NEW TEEN TITANS circa “The Judas Contract” and “The Terror of Trigon” in terms of style but carves it’s own identity as something fresh and relevant to today.  Wolfman and Pérez worked within a paradigm of expectations for mainstream super-hero comics but managed to push the boundaries of maturity in story-telling and content as had never before been done so consistently and so well. And this is where Angosto and Santamaria are channeling the spirit of that era for this 3-parter.


From a purely visual standpoint, Santamaria is on fire.  So many double-pagers intensely dense with detail and movement.  His design sense is off the charts.  I would be recommending this comic simply for more people to see his art even if the story did not hold up. 


Thankfully, the story does hold up.  Angosto is brilliant at homaging without copying.  Which makes this story resonate, in my opinion, even if one has never read a Whiz Kids story before. There is such a deep sense of history within this story that I can’t even tell what is original to it and what is actually based on earlier extant Big Bang stories.  Angosto gives the readers everything we need to know within the comic itself.  

 
One thing I have enjoyed within all of Angosto’s stories for Big Bang is his inclusion of mythological and religious concepts and themes.  They tap into those archetypal connections within different cultures that resonate on a primal level with all of us.  It’s those recurring mystical and heroic archetypes that have evolved into the super-heroes of our popular culture today and especially resonate in comics—the art form in which they were birthed. 


The villains and heroes of this story hearken back to ancient Christendom (Robo-Hood/Galahad), Islam (The Old Man of the Mountain/Sword of Allah), Judaism (Lilith), and Norse Mythology (Valkyrie) which is a compelling choice that I loved.  Angosto’s choices for “the heroes formerly known as the Whizzards” is a diverse and interesting upgrade for that team.  Might I suggest they could be called “The Cavalry”?  But I digress…


As with Part 1, this story focuses on Galahad and his journey from sidekick to Knight Watchman to a fully realized adult hero and leader.  But along the way he is gut-punched emotionally over and over again.  If fire forges the strongest sword, then Galahad will be unbreakable when Part 3 concludes this arc.   And I do not say this lightly.  Readers should be warned that the assaults and pain that Galahad endures in this story may unsettle sensitive readers as they are bold creative story-telling choices but effective.  He is also blessed with the opportunity to step up in a very personal way to try and shepherd the darkness into the light with great potential for the future.


With so much action, Angosto and Santamaria do take the time to slow things down to focus on the personal and emotional journeys that anchor the super-heroics.  The Galahad story, of course, but also the Merlin and Robo-Hood arc.  Both are essential to the elements that make this story work so well.


Readers familiar with DC comics, and especially familiar with the characters of Dick Grayson and Damian Wayne will hear their echoes within this comic.  But I promise you it will not be anything like what you expect and that’s the best part of the whole thing.  The story flows perfectly and it surprises throughout.


I’m ready for Part 3!

*I should probably note that this comic is a bit too mature in content and language to be considered an all-ages book.  This comic is probably appropriate for, oh, 12 years-old and up.  YMMV though.