Thursday, May 10, 2012

Q&A with Archie Comics about the Red Circle Comic Book App

Entertainment

Reblogging my Interview (as Prof. Challenger) with the Team behind ARCHIE's new RED CIRCLE Line of Super-Heroes.






Q’s by Prof Challenger!

@’s by the Team Behind ARCHIE’S
New Red Circle Line!!!

Professor Challenger here and I had the opportunity recently to talk to the guys behind the new redesign and relaunch of the classic MIGHTY CRUSADERS characters from Archie Comics Publications. Ian Flynn is the writer on this project, Alex Segura is the Executive Director of Publicity and Marketing, and Paul Kaminski is the Executive Director of Editorial.

I'm glad to see someone tackling the Red Circle characters again...and without licensing them out to another publisher. In my younger days, I was a fan Rich Buckler's attempt at getting the CRUSADERS back into the marketplace. I enjoyed the IMPACT line (especially the late Mike Parobeck's work on THE FLY). I found the recent DC attempt to be a well-intentioned effort that inexplicably just disappeared.

However, from what I can gather here, Archie Comics smartly picked the characters back up immediately and started this project to not only modernize the characters but do something new and progressive in the process. Do I have that right?


IAN FLYNN (IF): That's a good way to sum it up.

PROF CHALLENGER (PROF): Ian, how did you get involved with this project?

IF: It was somewhere between San Diego Comic Con and New York Comic Con last year when Executive Director of Editorial Paul Kaminski sent me the series proposal he'd been working on with Executive Director of Publicity and Marketing Alex Segura said "I want you to write this." I grew up on super hero books, so I jumped at the chance. At NYCC, we had a big brain-storming session with President Mike Pellerito, hashed out the first season of the book, and that was that.

PROF: Can you explain how this "weekly app" is different than simply a weekly digital comic?

IF: The weekly app gives you six pages of the current comic every Wednesday should you be currently subscribed to the App. So instead of waiting a month between releases, as you'll have to for the printed edition, you'll be getting a steady stream of content week after week along with updates of the older Mighty Crusaders material from the 30’s all the way through to now!

PROF: Does the app have aspects to it that allow users to follow other users and interact with comments or crosspost onto social media like Facebook and Twitter?

>PAUL KAMINSKI (PK): The iVerse team I pretty incredible at what they do – and what they do is innovate and connect! Social media will play a role in the App as it continues to grow and expand, and if you want to start posting and tweeting New Crusaders news, check out RedCircleComics.com!

PROF: Does the app focus on the team only or is it something that combines multiple titles or storylines within a shared universe?

PK: The App has 2 components, which each serve to enhance the other. The first component is the new material, which is the New Crusaders on-going series. New Crusaders is a direct sequel to the second component of the App, which is the classic Red Circle books, dating all the way back to 1939. Readers will be able to read an ever-growing range of the old material, which often will have a direct connection to what’s going on in New Crusaders. Comic collectors like myself tend to save, catalogue, and contextualize every event in a comic series. Most comic collectors don’t really know all that much about Red Circle as it stands right now. We’re implanting that type of collection into an App and doing the contextualizing for you!

PROF: Is this Red Circle universe going to co-exist with the mainstream Archie universe or are you going to keep them functionally separate?

PK: Red Circle is completely separate from the Archie Universe in style, tone, and presentation. Though technically speaking, Riverdale and the town of Red Circle are on the same map.

PROF: In terms of characters, who are the primary characters?

IF: The main cast are the New Crusaders - Joe Higgins, a.k.a. The Shield, is the veteran hero who's been in service since the 1940s. When disaster strikes, he has to take in the teens/heirs to the original Mighty Crusaders and introduce the new blood to the world of super heroics. Six young adults under one roof, traumatize and given super powers. Yeah, it'll go about as well as you'd expect.

PROF: So, you will be incorporating at least some past continuity with these characters?

IF: Everything under the old Archie labels - MLJ to present P is canon. We'll be tweaking things here and there where it's needed to make it all flow and make sense, but we're treating all the books as fair game. We won't be mired in that backstory, though. It'll serve as the foundation for our new characters and new adventures to take off from.

PROF: Along the same lines, will there be any recognition of the work that was published under the Red Circle line, Impact line, or the DC proper books?

IF: The Red Circle line, which eventually adopted the “Archie Adventure Series” banner again in the later issues, is the series that direct precedes ours. We won't be using the out-sourced material, but we're not ignoring it completely either. We'll get into that later in the season.

PROF: Is there a longterm goal in mind or just a plan to keep telling stories?

IF: We have the first season - or twenty-four episodes (issues) - already mapped out. We've got a log of ideas on how we want to branch out and expand. The Red Circle imprint is primed to be huge.

PROF: How do you foresee expanding this app and the world of the CRUSADERS?

ALEX SEGURA (AS): The app is going to be an immersive experience – it’s not just a standard comic app that shows you a bunch of books and lets you decide what to buy. This is like a ticket into the world of NEW CRUSADERS – past, present and future. Not only do you get to enjoy the new, never-before-seen adventures of this team, but you get to see the books that shape that narrative, as chosen by the people directly involved in the creation. Paul and his team have done a great job partnering with iVerse to really curate this app. So, each week, there’s not only new story content, but never-before-digitized books that thematically tie into the new stories. It’s amazing.

As far as expanding – once we get the main app off the ground, we’ll be slowly peeling things back and showing new corners of Red Circle and the Red Circle Comics universe. Stay tuned for news on that.

PROF: Other than Ian, who are the talent involved in delivering the stories and driving the characters and their worlds?

IF: I'm on writing duties with Ben Bates (penciler), Gary Martin (inker), Matt Herms (colorist) and John Workman (letterer) on the art team. I've worked with all of them in the past, and they're all amazingly talented people.

PROF: What level of marketing and licensing can we expect?

AS: We’ve got a pretty focused marketing and PR campaign geared at not only the comic fan sites, but pop culture venues like AICN and more tech-centric outlets. Because the story isn’t just that these characters are back – it’s HOW they’re back. This is the first superhero universe launched digitally. Red Circle Comics is looking to become a leader in digital, and the reality is, no one in comics is doing something even close to this. It’s an exciting time to be here.

PROF: As with the other ARCHIE titles, is THE CRUSADERS app intended to be something that can be enjoyed by readers of all ages?

IF: Yes, although I'm calling it "all-ages with an edge." We're going to be a little more adult with the language and the violence than your typical Archie book, but at the same time it's nothing you wouldn't see on TV (probably less-so).

PROF: How in the heck do readers of this interview get in on the ground floor of this project?

AS: Go to www.RedCircleComics.com, download the app, and get ready to rock on May 16th. In the meantime, people can go to the website for more info and character bios!

PROF: Is the App for Apple iPhone/iPad exclusively or is it available freestanding for the Android market or PC without having to go through iTunes?

AS: As of now, the Red Circle app will be available via iTunes and on other platforms via Archie's digital comics storefront: digital.archiecomics.com.

PROF: Do you see this type of project as groundbreaking and setting the stage for others to follow?

IF: A lot of other super hero books will use some major event to revamp their properties to be something "new" and "fresh." That's nothing new - we've seen it constantly throughout the 90s til now. What New Crusaders is doing is taking the classic material, utilizing it, but moving forward. We have new heroes that grow from and contribute to the original material, not just give it a new coat of paint.

PROF: What's your "Hollywood Pitch" for this project; that is, what's the one- or two-line description that will sell this to our readers?

IF: New Crusaders is a fun, exciting super hero book without the baggage and angst of a lot of other super hero books. Y'know how you can go to these recent super hero movies, sit down, and have a good time? That's New Crusaders in a nutshell.

PROF: Thanks for the conversation, guys, and good luck!



Editing, compiling, imaging, coding, logos & cat-wrangling by Ambush Bug
Proofs, co-edits & common sense provided by Sleazy G


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Wednesday, May 9, 2012

My Dark Shadows Early Screening Review.

Entertainment
Dark Shadows screening review. | gofobo

DARK SHADOWS (2012)

Director:  Tim Burton
Studio:  Warner Bros. Pictures
Release Date: May 11, 2012
Rating:  PG-13: Parents Strongly Cautioned
Rating Warnings:  comic horror violence, sexual content, some drug use, language and smoking
Official Website: http://darkshadowsmovie.warnerbros.com/index.html

Synopsis: In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet—or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy…until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive.

Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth Collins Stoddard (Michelle Pfeiffer) has called upon live-in psychiatrist, Dr. Julia Hoffman (Helena Bonham Carter), to help with her family troubles.

Also residing in the manor is Elizabeth’s ne’er-do-well brother, Roger Collins, (Jonny Lee Miller); her rebellious teenage daughter Carolyn Stoddard (Chloe Moretz); and Roger’s precocious 10-year-old son, David Collins (Gulliver McGrath). The mystery extends beyond the family, to caretaker Willie Loomis, played by Jackie Earle Haley, and David’s new nanny, Victoria Winters, played by Bella Heathcote.

Review:  I love Tim Burton movies and, so, it is no surprise that I also liked this one.



I love DARK SHADOWS and, so, it is no surprise that I also liked this one.

It definitely surprised me in a lot of ways. One of the most important surprises were the more subtle ways that it referenced the old show. Specifically, the pacing of a number of scenes in which it was just Barnabas and another character alone in a room. They copied the incidental music and the rhythm and pacing of the stilted dialogue perfectly. The slow way Barnabas walks around and Johnny Depp is totally aping Johnathan Frid's way of dragging out his words slowly as he tries to find his cue cards or remember a line.

Most definitely go into it knowing that it is NOT a spoof. They find opportunities for hilarious moments of comedy, but it is NOT a spoof. The ghost and witchy stuff is legitimately creepy and there's some other creepy imagery throughout. They don't shy away from vampire brutality either. Some light insinuated raunch and sex. The period music choices add a lot of flavor to it and it felt authentically 1972 to me as I watched it, especially the way they had it lit in the exterior scenes.

As with nearly every Tim Burton fantasy movie, the final act goes a bit over the top (anyone remember the final act of Joe Johnston's THE WOLFMAN a couple of years ago? Big fantasy fight scene inside a burning mansion -- that sort of thing). They resolve the story in such a way that it does not have to be a franchise but leave enough options available if they choose to do it.

There's a lot of interesting symbolism that Burton has fun with -- especially with Angelique. All of the actors seemed like they were having a lot of fun but Eva Green was reveling in her role as Angelique. I found Bella Heathcote to be ethereal and very engaging in her wide-eyed role as the beauty, Josette/Vicki. Helena Bonham Carter steals all of her scenes with her cigarette-scarred voice and bright red hair as she lusts after Barnabas. Johnny Depp carries it all and is so likeable as Barnabas that you even forgive his foible of brutal blood-sucking murder.

It was not really what I expected. But I enjoyed what I got.

I will be paying to see it again soon.

Tuesday, May 8, 2012

EARTH 2 Reviewed

Entertainment

EARTH 2 #1
Writer: James Robinson
Artist: Nicola Scott (pencils) & Trevor Scott (inks)
Publisher: DC Comics


“Looking back on that day five years ago, I wonder if they knew, maybe deep down in their hearts...if they sensed it.  After all their amazing exploits...after all they'd done so far...if Superman...Wonder Woman...Batman, of course...if they knew that here in ravaged Metropolis would be their last adventure.” -- Alan Scott

Longtime readers of my words both on my blog and on AICN know that I've been very outspoken in my disappointment at the way the DCU reboot was handled.  The characters of DC's “Earth 2” (the golden age heroes) almost always get the shaft when DC does a continuity wipe or rewrite.  And it appeared like they had once again gotten screwed by the slapdash manner in which the linewide reboot happened.

However, I have to say, I take back every single negative thing I ever said about this new EARTH 2 book in the lead-up to its release last week.  Encapsulated in this single comic book are steps that nearly take full advantage of the freedom that a reboot really provides.    This approach is bold, takes chances, makes real and substantive changes, and does it all with a sense of a real cohesive vision.  I am sure that it helps to have it basically limited to a single title (with a side connection to WORLDS' FINEST)  rather than 51 other continuity titles.

James Robinson's writing has no groaner moments or wasted scenes.  He packed this single issue with everything we need to know to set up the world, the differences, and the future. Nicola Scott knocked this out of the park with her art.  She has leapt immediately up to the top tier of my favorite artists working today.  Watch out Amanda Conner, George Perez, and Ivan Reis.  You've got competition.


Here's the background we get from EARTH 2 #1:  This Earth has not experienced a glut of super-heroes like the regular DCU over the years since Superman appeared.  In the flashback sequence of 5 years ago, we have an older Superman (with adult cousin Supergirl) along with an older Batman (with adult daughter, Robin) and a Wonder Woman who has also obviously been around for awhile.  They are the trinity of heroes of this Earth.  Without the rest of what would become the Justice League on our Earth, they are overcome by the attack by the hordes of Parademons (presumably sent by this world's version of Darkseid).  The heroes are killed, but Batman's sacrifice also saves the Earth from total destruction and defeats the Parademons.  Supergirl and Robin chase a figure through a boomtube and wind up stranded on Earth 1 and their story continues in WORLDS' FINEST.

Cut to present-day. A world without super-heroes but with a collective memory of that tragic day.  It is a world-wide tragic moment for the entire world.

Set up for the future:  Robinson introduced Al Pratt and Jim Harper as soldiers during the 5-years-ago flashback.  The stage is set for new versions of Earth 2's Atom and Guardian.  In the present-day, Robinson introduces us to young, rich, broadcaster Alan Scott and even younger Jay Garrick – struggling to find purpose and direction until he comes face to face with the Roman god, Mercury.

On to the next issue.

What I love about the approach here is that Robinson is approaching EARTH 2 as if the types of events that happen(ed) on Earth 1 simply don't happen quite as often or as easily.  So, without random science experiments and accidents, how do you get a group of heroes who can equal Earth 1's Justice League and beyond?  Robinson appears to be making the new EARTH 2 heroes essentially avatars (or power-receivers) of the Roman Gods.  The Flash of Earth 2 is gaining his powers from Mercury.  I don't know this for sure, but I suspect the Green Lantern will be receiving his powers from Jupiter, Vulcan, or one of the other gods and so on.

When Grant Morrison took on the JUSTICE LEAGUE comic years ago, he specifically set up the characters as Earthly counterparts of the Greek pantheon.  Here, it appears from dialogue between Mercury and Wonder Woman, that Robinson is going so far as to making our new heroes, inspired by the self-sacrifice of the original Trinity of heroes, literally the Roman pantheon on Earth.  Heroes powered by the gods rather than scientific mumbo-jumbo.

I honestly can't find anything to criticize here.  It all was simply brilliant, flowed perfectly, intrigued me and hooked me instantly.

EARTH 2 is everything “The New 52” should be.



Thursday, April 19, 2012

This Touched My Heart Today and Brought a Tear to My Eye

Entertainment
Reblogged:  A Letter to Jonathan by David Selby

A Letter to Jonathan
Posted on April 19, 2012 by David Selby
My dear friend,
Once, when I talked to you in Canada, you told me that you were not going anywhere. You said you get out of bed, put on your robe and slippers, have a nibble of breakfast, and then sit down at your computer and check in with the world. So I took you at your word. You always told me what you thought. Now, you just up and go without a word. How dare you.
You never mentioned that you were contemplating a long trip. After all, we had just recently returned from a rather long but short trip to the countryside of England where we took up residence in a very fine resort – at least what we saw of it was fine. The food you barely sampled, but the nightcap went down so smoothly that you told me you had not appreciated my entrance onto the show those many years ago. But I never knew. You were never anything but considerate to me, gentlemanly, a throwback to when there were gentlemen – courteous – exquisite charming manners but always with a quiet, respectful, measuring with those skeptical eyes, and then an easy smile.
It seemed right for such fellow travelers to be in England. We were there to replay, visit, all the way back, a bit of our ancient history. That highway never ends. It was worth the trip just to hold your hand as you stepped off the curb….worth it to reflect back on the fine time I had reading that play with you in New York to all your adoring fans, worth it to feel anxious at Pinewood Studios when I could not find you for a few moments.
How rare it is to be able go back in time to see where it all began. Our hosts could not have been more cordial. After all, as Tim said, in the glorious drawing room of that mansion– none of us would be here if not for you.
Memory is a strange bird. It persists. Why? Memory is vivid. And love?! Well….what was it about Dark Shadows that compelled people like Tim and Johnny to watch, to be affected so, so strongly. They needed to watch, had to watch. They were drawn to Dark Shadows like a moth to light.
Your light was full of mystery, of history, of genealogy, of love. You carried the heavy past with such grace and allure. That need to watch had something to do with love, a love for you.
What is it about love that made Dark Shadows so needed by millions? They loved you, Jonathan, as did I.
The night is long, the candles will stay lit.
Till we meet again.
David

Jonathan Frid Dead at 87

Entertainment


Jonathan Frid, who played the role of Barnabas Collins in the ABC daytime drama Dark Shadows, has died at the age of 87 years old on April 14, 2012 according to his former co-star Kathryn Leigh Scott.
Frid, born in Canada, was theatrically trained at the Royal Academy for the Dramatic Arts in London and received a master’s degree in directing from the Yale School of Drama. Before joining Dark Shadows, Frid had a successful stage career including a performance of Much Ado About Nothing that co-starred Katherine Hepburn and was directed by John Houseman.
Barnabas Collins made his first appearance on Shadows in 1966 after the show had already run for 211 episodes. The character was created in the hope of energizing the show and increasing ratings but Frid had only a 13-week commitment….he ended up on the show for nearly 600 more episodes, and transforming Barnabas from a guest into the show’s protagonist. 
After the show ended in 1971 - the run included a 1970 movie, House of the Dark Shadows - Frid returned to the stage including a successful run as the murderous nephew in the dark comedy Arsenic and Old Lace. His co-star was Jean Stapleton of All in the Family fame.
Frid and the rest of the original cast will all make appearances in the Tim Burton-directed Dark Shadows film starring Johnny Depp as Barnabas. (Coincidentally, the film opens on May 11.)
For Frid’s full filmography, click here.
Sources: kathrynleighscott.com, imdb.com, wikipedia.org, darkshadows.wikia.com, alt.obituaries (Google group)
(Image of Frid and Grayson Hall as Julia is copyright Pictorial Parade/Getty Images and courtesy of the Washington Post.)

Reblogged from http://www.obitoftheday.com/post/21376138890/jonathanfrid

Tuesday, April 3, 2012

For Those Naysayers Who Thought my FRIEDRICH v. MARVEL Analysis Was Off-Base

Entertainment

Sure didn't take long at all for the FRIEDRICH V. MARVEL ruling to start impacting Comic Convention art.



We have received word that artists that booked an artist alley table for BotCon 
Botcon20122012 are now being told that any fan art that may infringe on Hasbro's intellectual property or trademarks can not be sold at BotCon. This does not affect licensees or Hasbro contractors...
The wording from the BotCon brochure advertised "that you can get single tables to show-and-sell your custom Transformers art for $200", but it would appear that Hasbro has reversed this now resulting in more table cancellations at the Texas convention scheduled for later this month.




Monday, April 2, 2012

Reblogged: SHAZAM Design -- Sequart Research

Entertainment
Well-written and better than probably anything I could have written myself.

SHAZAM Design
by Mike Greer
Fri, 30 March 2012

Whenever the phrases “we removed the circus strongman elements of his costume” or “the emotional journey of this troubled teenager” get used in an interview about a character’s redesign, I have to admit I get a little bit frustrated. This was the case with a March 5 article on DC Entertainment’s public relations blog, The Source, in which Justice League writer Geoff Johns discussed his and artist Gary Frank’s new direction for the superhero Captain Marvel. Set to debut in Justice League #7, this new version of Captain Marvel, rechristened “Shazam,” is said to be a more mystical, magical take on the Big Red Cheese.

Now, I will admit that I am not the biggest Captain Marvel fan in the world. The character wasn’t really at the forefront of the superhero genre during the ‘80s and ‘90s, so a lot of fans like me just grew up bypassing the character altogether. Most of the time I just thought he was a half-hearted attempt at creating another Superman. It wasn’t until I began reading up on the Captain Marvel stories that Fawcett Publications put out in the 1940s that I saw the real charm behind this character.
Rather than being just another Superman knock off, Captain Marvel had taken a decidedly goofy and absurd direction with the concept, creating a family of spin-off heroes to go on adventures with, and paling around with a walking, talking tiger. But it was when I read about the epic, two-year “Monster Society of Evil” story arc that my idea of the character changed forever. The story gave readers their first look at Mister Mind, the greatest enemy that Marvel had ever faced. What they were shown was… a two-inch long talking worm with glasses.

 
That’s when I began to see the real brilliance of the Captain Marvel franchise. It was unabashedly a kids comic. It was a goofy, absurd superhero fairy tale. Winnie the Pooh with capes and thunder. Sadly, once the character was revived by DC in the ‘70s and ‘80s, the character never again rose to its original prominence. Writers and artists have been trying ever since to reconcile the storybook childishness of Captain Marvel with the progressively grim, melancholy DC universe, but their attempts at making characters like Mister Mind into something we should take seriously never hit the mark.
And that’s largely where I stand with this latest reboot of the character from Johns and Frank. In the New York Posts article about the reboot, the first image of the character was revealed, and it wasn’t pretty. Rather than a dauntless, smiling Captain Marvel (or Shazam, if that’s what they want to call him now to make him more accessible to non-comic book readers) dashing around above the clouds, we’re treated to a tortured soul gritting his teeth and looking predictably angst-y. Bolts of angry lightning shoot from his eyes and skin, but fail to illuminate his body or hooded face, which are cloaked in the darkness of blah blah blah I couldn’t care less...