Showing posts with label Copyright. Show all posts
Showing posts with label Copyright. Show all posts

Saturday, February 11, 2012

Friedrich v. Marvel Ruling -- Corporate Bullying at Its Most Distasteful


https://www.facebook.com/SupportGaryFriedrich
The last couple of days have seen a bit of a firestorm erupt online among the comics community over the ruling in Gary Friedrich Enterprises v. Marvel Enterprises (Friedrich v. Marvel), which I believe was initially publicized on a blog (http://ohdannyboy.blogspot.com.au/2012/02/gary-friedrich-enterprises-llc-et-al-v.html ). Primarily, the uproar has been over the ruling in which the destitute Gary Friedrich must pay the Marvel (a multi-million,if not billion, now that they are a part of Disney) corporation $17,000. This smacks most everyone who hears about it as bully behavior by Marvel against a human being. There are more than plenty of websites out there covering and analyzing the story, but I have also seen a lot of misunderstanding of exactly what is happening here. So, I am going to attempt to pull it all together in as objective, concise, and clear manner as I can and then I will give my concerns and feelings about it.

It took a bit of searching, but I did find a copy online of the docket of the claim transferred from Illinois and filed in the District Court of the Southern District of New York on Valentine's Day 2008 by Friedrich against Marvel at http://www.scribd.com/doc/76730989/Friedrich-v-Marvel-DOCKET-S-D-N-Y . I also found a copy of the 2011 ruling at http://www.iplawalert.com/uploads/file/Friedrich%20v%20Marvel.pdf that details the claims and counterclaims on record. This lets us see the chronological procession of events. Just for the record, Friedrich's original claim against Marvel includes 7 pages listing defendant after defendant. So, we might want to keep in mind that while the case is consolidated under the banner of Marvel Enterprises, it also lists Hasbro, Columbia Pictures, and a slew of others who fell under his claim and, yes, The Walt Disney Company is one of them listed. I mention this just to make it clear that Friedrich did not go up against “Goliath” unwittingly and that when we speak of “Marvel,” we are not just talking about Marvel Comics (although they are the primary one involved in the factual background that determined the outcome).

After a lot of legal back and forth nonsense for 2 years, on December 15, 2010, Marvel filed a counterclaim against Friedrich. So what were the pertinent claims by Friedrich and Marvel's counterclaims? Essentially, Friedrich claimed copyright ownership over the character of “Ghost Rider” and claimed that as the copyright owner that his rights had been infringed by Marvel and the other defendants for their use of the character in movies, toys, video games, etc. It is an important distinction to be noted that he is not claiming ownership of the character in regards to Marvel's use of the character within the comic books and graphic novels. Friedrich acknowledges Marvel as the owner of the copyright to the character in relation to publishing but asserts that when he signed over his rights to Marvel in 1978 that he believed he was retaining the rights to the character in regards to other media. In a sense, it is similar to someone here in Texas selling a plot of land but retaining the mineral rights on that land just in case they find oil on it. Unfortunately, there was no evidence in the text of the agreement signed that made his understanding explicit and thereby, near impossible to prove.

Marvel's counterclaims against Friedrich are based on their assertion that Friedrich's use of the image and name of “Ghost Rider” in marketing himself and selling merchandise is a violation of Marvel's copyright and trademark ownership. They demanded that he account for and pay them for each violation over the years and that is where the $17,000 comes into play. They also claimed Trademark Infringement, False Description, False Representation, and False Designation of Origin.

I find it interesting as well that there was little to no interest in this story back in December of last year when the ruling on Friedrich's claim was entered. It wasn't until this week when the final ruling was entered on Marvel's counterclaim that the proverbial “shit hit the fan” on this issue. So, let's back up a little bit and first lay out what happened in the ruling back in December. In the legal system, there is a little thing called “Summary Judgment”. When one party or the other requests a “Summary Judgment,” what they are hoping will happen is that the presiding trial judge will review the facts of the case before trial and if the judge determines that there is actually no genuine issue in the facts will rule that the party is entitled to a judgment without ever even going to trial. Basically, the judge is saying that going before a jury and having a trial would be a waste of time and money because there's actually nothing to argue about in the claims.

"Back of Check" Contract from the '70s
In this case, both sides asked for “Summary Judgment” on one issue only: the question of ownership of the character. Remember Friedrich was claiming not just ownership but also multiple instances of infringement that hinged upon a ruling in his favor on the question of ownership. If he failed on that issue then the allegations of infringement fall away because how can his rights be infringed if he does not own the character? Unfortunately for Friedrich, that is what happened back in December. The court cited well-settled jurisprudence that taken on its face means Friedrich has no legal claim to ownership of the character. The judge's ruling was based on 2 facts in the record: (1) back in the early 70s, when Friedrich endorsed his payment checks from Marvel for his work on Ghost Rider, there was a simple contract acknowledging the work as a “work-for-hire” on the check that he accepted when he signed; and (2) as a prerequisite to be allowed to freelance again for Marvel, in 1978, Friedrich was required to sign a specific agreement assigning any rights he may have in the property over to Marvel (the text of the agreement was: “SUPPLIER [i.e., Friedrich] expressly grants to MARVEL forever all rights of any kind and nature in and to the Work, the rights to use SUPPLIER’s name in connection therewith and agrees that MARVEL is the sole and exclusive copyright proprietor thereof having all rights of ownership therein.”

So for the first phase of this case, in December of 2011, the court ruled in Summary Judgment that Marvel is the copyright owner of Ghost Rider and not Gary Friedrich. This ruling does not say he is not the creator of the character or limit his ability to market himself as the creator of the character. It is very simply, a definitive declaration that a work-for-hire is a work-for-hire and that means Friedrich does not have a personal stake in the copyright and, therefore, is not legally entitled to money from the films, video games, etc. We can disagree on the morality of whether he is due some level of compensation, but in terms of the law it is settled, just as it was similarly settled when Jack Kirby's heirs tried to claim ownership of pretty much the whole of Marvel's stable in the 1960s and when Marv Wolfman attempted to claim ownership of Blade. The work-for-hire system is well established and near impossible to defeat when it's one little guy against the corporate monster.

But there was that little counterclaim by Marvel still out there and they apparently did not want to dismiss their counterclaim after winning the original claim. So the second phase was completed last week and the final ruling on the counterclaim was entered. What has set the internet on fire was related to Marvel's “stipulations” and the injunctions agreed to by Friedrich. First of all, we need to clear up what a “stipulation” is. A “stipulation” is an agreement made between the parties that is intended to simplify or shorten the litigation. In other words, if one side can agree to “stipulate” to a certain set of facts, then that may shorten or even prevent the case from needing to go to trial.

Secondly, we need to see what Marvel actually “won” here on their counterclaim. Let's look again at what Marvel counterclaimed: (1) Copyright infringement over the sale and distribution of goods depicting Ghost Rider; (2) Trademark Infringement; and (3) False Description, False Representation, and False Designation of Origin. (I'm not quite sure what that third counterclaim is because the court never had to address it because of the stipulation.)

What Marvel and Friedrich did here is come to an agreement to avoid going to trial. Presumably, in light of the fact that Friedrich had lost the original claim, he was strongly urged by his attorney to “settle” or it could turn out to be a much worse financial loss. So, the settlement appears to be this – Marvel agreed to drop the claims of Trademark Infringement, False Description, False Representation, and False Designation of Origin if, and only if, Friedrich consented to some very specific demands from Marvel.

Remember, the court did not order Friedrich to do this, he consented to it on his own because Marvel told him that if he did that they would drop the second and third counterclaims against him. What Friedrich agreed to was to no longer refer to himself as the creator of Ghost Rider. He may not sell or distribute any merchandise (other than signed copies of Marvel's own comic books that he has purchased) with Ghost Rider on it. This will be an ongoing burden for him in marketing himself to conventions and such but not being able to overtly mention Ghost Rider. But I notice in the injunction that Marvel is allowing the possibility of him using the character so long as he obtains a license or permission from them. What a corporate mensch, right?



However, Marvel is not letting go of their first counterclaim for “copyright infringement” and that is where the court accepted the amount of $17,000 as damages owed to Marvel by Friedrich, and they are sticking to their guns even in the face of mounting negativity in the fan press over this ruling.

Briefly, here are my thoughts on it. Friedrich, unfortunately, has been forced into an untenable position by the corporate monster known as Disney/Marvel – I'm not talking legal now, but purely in terms of humanity and morality. The freelance field of the time period in which Friedrich originally created the Ghost Rider character was pretty slimy in terms of business practices. Taking these freelancers who are working their asses off for mere scrapings of a living wage with no retirement and no health insurance and no job security and then requiring them to have to sign these ridiculous contracts on the back of their checks before they can receive payment for work they have already completed is just about as low as it gets. In my view, it is analogous to signing a contract because a bruiser is standing there with a stick ready to break your legs if you don't sign. In a moral world those would be retroactively voided across the board. However, the modern legal field is anything but moral. These vile contracts are consistently upheld by the courts as valid. The 1978 contract that Friedrich signed is also, in my mind, an extortive contract in which they dangled the possibility of future work before him if he would sign away any rights he might have (in other words, they realized they were on shaky ground with the back-of-the-check contracts by then). And now, Marvel is doing it again to him. They have put him in a position where he really has no choice, and even now, he ends up owing thousands of dollars to them which they know perfectly well he cannot pay.

In my opinion, Friedrich is like many writers of his generation, and has been taken advantage of by unscrupulous businesses and business practices for the bulk of his career as a writer. He is not the first and he won't be the last, however, the modern crop of writers is much more knowledgeable about contracts and copyrights so perhaps it will continue to lessen in the field. I find nothing dishonorable in what Friedrich did in filing against Marvel in an attempt to gain some rights of ownership in a character that he did indeed create and which Marvel has profited by hundreds of millions of dollars. That he lost was foreordained by a legal system that is all too often led down predictable paths lined by corporate dollars and high-priced attorneys. That Marvel did not just drop their counterclaims in full against Friedrich is pathetically mean-spirited and a clear attempt by Marvel to “send a message” to any and all out there who might try and mount a similar joust with them over the ownership of other characters.

GaryThe long-term effect of this ruling, however, is its effect on the common practice by current and former comic book artists of selling and distributing prints, posters, commissions and other materials with characters who are copyright to Marvel, DC, or other companies. The injunction against Friedrich and the win on Copyright Infringement have set a precedent now of Marvel coming in after the fact and requiring former comic pros to pay them for profits received as a result of product they sold at conventions or created as commissions. I see a future, not so far away, in which artists will have to obtain explicit permission from Marvel or DC each and every time in order to sell, display, or distribute materials with their characters on it. On that day, the comic convention as an organic coupling of fan and creators becomes a thing of the past and all that remains is a publicity circus of corporate control. That's not a legacy to be proud of and Friedrich does not deserve to be ground into the dirt by Marvel for simply deigning to challenge them. It is simply stupefying and debased that he has been forced into the position of having to choose between being sued for who-knows-how-much money and asserting the truth that he created Ghost Rider for Marvel Comics.

If you feel so inclined, you can donate on behalf of Gary Friedrich at http://www.steveniles.com/gary.html

Thursday, June 23, 2011

The Late Joanne Siegel's Final Appeal to WB/DC Regarding the Superman Copyright Lawsuit

If you've been reading my numerous posts on the DC Comics Reboot/Relaunch, you may recall that in PART 1 of my series, I posted a long legal research article I wrote on the Siegel Estate's recapturing of their half of the Superman copyright.  There are so many misconceptions surrounding this controversy by people who misunderstand the bottom line in this case.  The bottom line is that the Siegel Estate filed a timely "Termination of Transfer of Copyright" in 1999 and the court has affirmed it.  The Siegels are due their share of profits from all Superman related works published by DC since 1999 and in 2013, the Shuster heirs will be eligible to terminate the Transfer of Copyright that Joe Shuster signed many years ago.  Effectively, at that point, DC will have little to no rights to continue publishing a form of Superman that is derivative of the character as created by Siegel and Shuster.  That's the bottom line.

The moral line is that WB/DC's continued legal shenanigans and countersuits and lawsuits filed back against the Siegels and their attorney in a cynical attempt to avoid payments that are due them (just for works published since 1999)...after prior decades and untold billions of dollars in profits over those years.  It's sickening.  Jerry Siegel's wife passed away this year, just a couple of months after writing a letter to the Chief Asshole....I mean...Chief Executive Officer at Time Warner practically begging him to just do what's right and stop the games and just pay them the percentage that is due.  In other words, as her health was failing, at the age of 93, she just wanted them to act like human beings.

It's not too much to ask or to expect.

I present her letter below, without comment.  It speaks for itself.  And it speaks loudly from the grave.

December 10, 2010

Jeffrey L. Bewkes
Chairman and Chief Executive Officer
Time Warner Inc.


Dear Jeff,

I am Joanne Siegel widow of Jerry Siegel, creator of Superboy and co-creator of Superman with Joe Shuster. It has always been my policy to be in touch with the Chairmen of the Board of your company going back to when Steve Ross formed Warner Communications.

Steve Ross knew how to take care of large vexing problems. He paid the price, whatever it was, then went on, and the company prospered. He was gracious and friendly when my late husband Jerry and I met him at a stockholders meeting after he sent Jerry, Joe, my daughter Laura and me company stock. He also phoned me to say if we needed anything I should just pick up the phone and call him. He said if he could not be reached for some reason, one of the top officers in the company, Deane Johnson, would handle things personally. Laura and I believe if Steve were alive our copyright ownership matter would have been successfully resolved long ago.

Jerry Levin was also reachable and thoughtful. He sent my husband and later me, cases of grapefruit at the holiday season. He remembered Jerry’s birthday with a Superman sculpture. When my Jerry passed away, Jerry Levin told Laura and me that we are part of the Time Warner family, part of its history. Unfortunately he retired before our rights issues were resolved. He had given his attorneys too much power so that negotiations were unsatisfactory and a settlement was impossible. Dick Parsons, on the other hand, was not friendly and, under him, the attorneys hired by the company were arrogant and pro-litigation.

Now you are Chairman and CEO. Because we are in litigation I held off writing to you. I now believe had we had contact early on, things might not have gone so far off track.
My daughter Laura and I, as well as the Shuster estate, have done nothing more than exercise our rights under the Copyright Act. Yet, your company has chosen to sue us and our long-time attorney for protecting our rights.

On December 1st I turned 93. I am old enough to be your mother. I have grown grandchildren. Unfortunately I am not in the best of health. My cardiologist provided a letter to your attorneys informing them that I suffer from a serious heart condition and that forcing me to go through yet another stressful deposition could put me in danger of a heart attack or stroke. I am also on medications that have side effects which force me to stay close to home and restrooms. Nonetheless your attorneys are forcing me to endure a second deposition even though I have already undergone a deposition for a full day in this matter. As clearly they would be covering the same ground, their intention is to harass me.

My dear daughter Laura too has painful medical conditions including multiple sclerosis, arthritis, glaucoma, spine disorders, and fibromyalgia. She has already had her deposition taken twice by your attorneys while in pain. Her doctors have given written statements saying she should not be subjected to a third deposition, yet your attorneys are insisting on re-taking her deposition in an effort to harass her as well.

So I ask you to please consider – do these mean spirited tactics meet with your approval? Do you really think the families of Superman’s creators should be treated this way?
As you know, DC and Warner Bros. have profited enormously from 72 years of exploiting Jerry and Joe’s wonderful creation. Superman is now a billion dollar franchise and has been DC’s flagship property for all this time.

As for this letter, the purpose is three-fold:

To protest harassment of us that will gain you nothing but bad blood and a continued fight.

To protest harassment of our attorney by falsely accusing him of improper conduct in an attempt to deprive us of legal counsel.

To make you aware that in reality this is a business matter and that continuing with litigation for many more years will only benefit your attorneys.

This is not just another case. The public and press are interested in Superman and us and are aware of our and your litigations.

The solution to saving time, trouble, and expense is a change of viewpoint. Laura and I are legally owed our share of Superman profits since 1999. By paying the owed bill in full, as you pay other business bills, it would be handled as a business matter, instead of a lawsuit going into its 5th year.

Even though you will no doubt pass this letter on to your attorneys, the final decision is yours. Your image as well as the company’s reputation rests on a respectable and acceptable outcome, and I hope you will get personally involved to insure this matter is handled properly.

The courtesy of a friendly and meaningful reply from you will be most appreciated.

Sincerely,
Joanne Siegel

Saturday, June 11, 2011

Thursday, April 28, 2011

A Legal Win for Graphic Artists

This post originally appeared on THE ILLUSTRATORS PARTNERSHIP ORPHAN WORKS BLOG and is reprinted here in its entirety with permission.

Graphic Artists Guild Lawsuit Dismissed

Last week the New York State Supreme Court, New York County, dismissed all claims in a million dollar lawsuit brought by the Graphic Artists Guild (GAG) against the Illustrators' Partnership of America (IPA) and five named individuals.

In the lawsuit, GAG asserted claims for defamation and interference with contractual relations, alleging that IPA had interfered with a "business relationship" GAG had entered into that enabled GAG to collect orphaned reprographic royalties derived from the licensing of illustrators' work. GAG alleged that efforts by IPA to create a collecting society to return lost royalties to artists "interfered" with GAG's "business" of appropriating these orphaned fees.

In her decision, Judge Debra James ruled that statements made by the Illustrators' Partnership and the other defendants were true; that true statements cannot be defamatory; that illustrators have a "common interest" in orphaned income; and that a "common-interest privilege" may arise from both a right and a duty to convey relevant information, however contentious, to others who share that interest or duty. 

Regarding a key statement at issue in the lawsuit: that GAG had taken over one and a half million dollars of illustrators' royalties "surreptitiously," the judge wrote:

"Inasmuch as the statement [by IPA] was true, [GAG]'s claim cannot rest on allegations of a reckless disregard of whether it was false or not. Truthful and accurate statements do not give rise to defamation liability concerns."  (Emphasis added.)

And she noted:

"The plaintiff Guild has conceded that it received foreign reproductive royalties and that it does not distribute any of the money to artists."

Labor Department filings provided as evidence to the court document that between 2000 and 2007, GAG collected at least $1,581,667 in illustrators' reprographic royalties. GAG admitted to having collected similar royalties since 1996. GAG's officers have repeatedly refused to disclose how much money their organization has received to date or how the money has been spent.

DUTY AND COMMON INTEREST 
The judge concluded that this situation justified an assertion of common interest by IPA. This means that "the party communicating [relevant information] has an interest or has a duty" to convey that information truthfully to others "having a corresponding interest or duty":

"The duty need not be a legal one, but only a moral or social duty. The parties need only have such a relation to each other as would support a reasonable ground for supposing an innocent motive for imparting the information. Here the plaintiff Guild's factual allegations demonstrate that the defendants' statements were both true, and fall within the parameters of the common-interest privilege." (Emphasis added.)

We hope this decision will end the two and a half years of litigation during which GAG pursued its claims against IPA and artists Brad Holland, Cynthia Turner and Ken Dubrowski of IPA, as well as attorney Bruce Lehman, former Commissioner of the US Patent Office and Terry Brown, Director Emeritus of the Society of Illustrators.  

All defendants were participants in a public presentation sponsored February 21, 2008 by 12 illustrators organizations. The presentation was disrupted by GAG's officers and their attorney. A videotape of the event proves that statements which GAG alleged to be defamatory were made only in response to GAG's intervention, and that until that time, no speakers had mentioned GAG or GAG's longstanding appropriation of illustrators' royalties. 

Last year, on January 12, 2010, Judge James issued a prior ruling dismissing nearly all of GAG's causes of action. This left only a claim asserted by GAG against Brad Holland. But in a response filed with the court February 4, 2010, attorney Jason Casero, serving as counsel for IPA, pointed out that GAG's remaining claim rested on an allegedly defamatory statement that Holland never made. When confronted with evidence, GAG was forced to admit it had "inadvertently attributed" the statement to Holland.

GAG subsequently filed new motions in an effort to revive its claims against IPA and the other defendants. Last summer the judge consolidated GAG's multiple motions and on April 18, 2011, she dismissed all ten causes of action against IPA and all the defendants.  

REPROGRAPHIC RIGHTS AND ORPHAN WORKS
GAG served the lawsuit on IPA October 10, 2008, seven days after Congress failed to pass the Orphan Works Act of 2008. The Illustrators' Partnership and 84 other creators' organizations opposed that legislation. GAG had lobbied for passage of the House version of the Orphan Works bill. Mandatory lobbying disclosures document that GAG spent nearly $200,000 in Orphan Works lobbying fees.

In our opinion, the issues behind the lawsuit are greater than whether an organization should be allowed to benefit from the millions of dollars that, collectively, illustrators are losing. We believe the reprographic rights issue is linked to both orphan works legislation and the Google Book Settlement, which Federal Judge Denny Chin dismissed on March 22, 2011.

Each of these developments involves an effort by third parties to define artists' work and/or royalties as orphaned property, and to assert the right, in the name of the public interest or class representation, to exploit that work commercially or to appropriate the royalties for use at their sole discretion. So far, judges have affirmed that copyright is an individual, not a collective right, and that unless one explicitly transfers that right, no business or organization can automatically acquire it by invoking an orphaned property premise. Now the challenge for artists will be to see that Congress does not pass legislation to permit what the courts have so far denied.

We'll have more to say about this issue in the future. For now we'd like to conclude by thanking our attorney Jason Casero, who provided us with a strong, incisive and heartfelt defense; his law firm, McDermott Will & Emery, which provided us with his services; the Volunteer Lawyers for the Arts of New York and its Director Elena Paul. We'd also like to thank Dan Vasconcellos, Richard Goldberg, and the over 700 artists and illustrators who in 2008 signed a petition asking GAG (unsuccessfully as it turned out) to drop the lawsuit; the support of so many colleagues was a great tonic at a low time. Finally we'd like to thank the representatives of the 12 organizations that comprise the American Society of Illustrators' Partnership (ASIP). ASIP is the coalition organization IPA incorporated in 2007 to act as a collecting society to return royalties to artists.  

- Brad Holland and Cynthia Turner for the Board of the Illustrators' Partnership 

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