High School Art *flashback* (Part 2)

In Part 1, I tossed up some art from Jr. High on into the early years of High School.  Now, I'm going to share some stuff from the latter half of High School (and maybe some College).  Just keep in mind that I was young and still learning! 

 This first pencil drawing was of "Snowball" from ANIMAL FARM.  He's the Lenin analogue in the allegory.  I am 100% convinced that the roots of my own conservative ideology can be traced back to my eye-opening encounter with Orwell's work through my High School English class.  *Thanks Mrs. Hopper!*

Other than girls and food, the things that primarily occupied my High School mind were comics, Star Trek, and vampires.  Slow time in class produced this Dracula sketch that I never finished. 

Star Trek was in the front of my mind after the incredible experience at that age of the death of Mr. Spock in STAR TREK II: THE WRATH OF KHAN -- which is where this sketch got its inspiration.  You'll note I started to lay down some inks on it and then never bothered to finish it.  Story of my life.

This ink sketch of Daredevil was done entirely using a croquill pen and india ink with no pencils at all.  Also done at school during some down time.
 Which brings me to something that I started doing in High School (and continues today occasionally when somethig gets stuck in my head).  That would be the costume redesign for popular super-heroes (something popularized online at Project: Rooftop) and original character concepts.

The original "MIMIC"

In this old, ragged X-MEN comic I had left over from when I was little, there was a story featuring a character called "The Mimic" and his mutant power was that he had all the powers of the X-Men themselves.   That means, he had wings like Angel, eye-beams like Cyclops, monkey hands and feet like Beast, ice-hurling powers like Iceman, and telekinetic abilities like Marvel Girl.

By the time I was in High School, the most popular comic book published by Marvel was The "New" X-MEN, which was primarily made up (at this time) of Cyclops, Storm, Colossus, Nightcrawler, and Sprite.  I thought, in my brilliant teenaged brain, that since the original Mimic had sacrificed his life to save the X-Men, that it was time for a "New" Mimic to show up and join the X-Men.  So, tis was my update of the original Mimic's costume with elements that demonstrated he was adapting the powers of the current line-up of characters rather than the original line-up.

A Review of DAREDEVIL #1 and some Ardden & Atlas Comics...

DAREDEVIL #1

Writer: Mark Waid
Artist: Paolo Rivera
Publisher: Marvel Comics
"Eventually I had to leave the city, my legal practice, my friends. But now I'm home, determined to put it all behind me and start fresh...because it's either that, or succumb to insanity.

Again."-- Matt Murdock

Pardon the pun, but I went into this comic blindly and came out feeling like a kid again. My formative comic-reading years were the Frank Miller years on DAREDEVIL and as far as I was concerned, the story of Matt Murdock came to a pretty definitive close in 1987 with the "Born Again" storyline. I've never held any interest in any run on DD since then. So, that would make it, what? 24 years since I've picked up a DD comic? Just about. I did pick up THE MAN WITHOUT FEAR retelling of his origin by Miller and John Romita, Jr. (loved it) and I did eventually pick up the trade of the Kevin Smith and Joe Quesada story where Karen Page got killed (didn't love it, though the art was pretty good).

So, what happens when someone weaned on the gritty and dark world of the Miller version of DD comes back to try out this relaunch? He finds one of the most enjoyable pure super-hero comics he's read in a long time. Without the need to retcon out the last 20 or 30 years of increasingly horrible events in Matt's life and the utter lack of humor and fun in his exhaustingly depressing existence, Waid embraces it all with great humor and a positive outlook.

Basically, DD is at a point in his life where he either spirals into a suicidal depression or decides that it's not the world that needs to change, but his own outlook on life. Matt Murdock has rediscovered the joy of life and it spills over into an enthusiasm throughout the entire comic and a whimsical approach to his derring-do that has been missing for way too long.

This does not mean that there's no danger or that the comic has slipped into parody zone. What this means is that Matt remembers who he was before his world started falling apart around the time that Elektra reappeared in his life. Yes, he has lost everything, including his secret identity, over the years (over and over) but he has decided to step up his game and start moving forward in control of his life rather than letting circumstances control him.

What this means for the reader is that we feel the enjoyment that Matt is feeling. It is infectious. Rather than being frustrated by those around him trying to continually bring up his DD identity, he instead just relentlessly holds the position that he is not DD and just smiles. The logic here is that really, only a few people "actually" know Matt is DD for sure. The rest of the people have "heard" it or "read" it, but we shouldn't believe everything we read on the Internet and in papers *wink*wink*. To the public, DD doesn't appear to have any special powers, so how in the world could he be...blind? It's a great way for Waid, as writer, to deal with the loss of identity and eventually be able to remove it from the platter of plot complications.

I just really enjoyed everything about it. I loved the creative way that DD prevented the kidnapping at the start of the book. Waid took an otherwise lame villain and turned him into someone who should be almost impossible for DD to defeat. The cleverness and quick-thinking of DD used to be one of charms of the character. It was a thrill to see that in play here. The visual representation of his radar sense was fascinating to see (and read). I particularly loved the "voice-over" monologuing of Matt throughout the book. It helps the reader truly see the world through his "eyes." The visual choices made in this book demonstrated some serious thought and consideration on how to visualize this aspect of the character.

Paolo Rivera does an amazing job, as artist, with this comic. Amazing. Flawless artwork and storytelling from cover to finish. The cover, particularly, is an astounding work of art and sums up DD in a single, smiling, image. The backup story by Waid and artist Marcos Martin was a brilliant piece of work to catch up any new readers on exactly what this "radar sense" actually is and how Matt uses it in his daily life.

I loved the one-page origin recap by Fred Van Lente and Martin. That is the way to do it. Get in; get out. On with the story. Sweet cliffhanger moment too at the end. My highest recommendation for fans of super-hero comics.